A successful career criminal considers getting out of the business after one last score, while an obsessive cop desperately tries to put him behind bars in this intelligent thriller written and directed by Michael Mann. Neil McCauley (Robert De Niro) is a thief who specializes in big, risky jobs, such as banks and armored cars. He's very good at what he does; he's bright, methodical, and has honed his skills as a thief at the expense of his personal life, vowing never to get involved in a relationship from which he couldn't walk away in 30 seconds. Vincent Hanna (Al Pacino) is an L.A.P.D. detective determined to catch McCauley, but while McCauley's personal code has forced him to do without a wife and children, Hanna's dedication has made a wreck of the home he's tried to have; he's been divorced twice, he's all but a stranger to his third wife, and he has no idea how to reach out to his troubled step-daughter. While McCauley has enough money to retire and is planning to move to New Zealand, he loves the thrill of robbery as much as the profit, and is blocking out plans for one more job; meanwhile, he's met a woman, Eady (Amy Brenneman), whom he's not so sure he can walk away from. The supporting cast includes Val Kilmer as Chris, one of McCauley's partners; Ashley Judd as his wife Charlene; Jon Voight as Nate; Hank Azaria as Alan Marciano; and Henry Rollins as Hugh, who is beaten up by Hanna. ~ Mark Deming, RoviIf You Like this movie you can streaming Heat movie without downloading HERE
Movie Title : Heat
Release Date : Dec 15, 1995 Wide Genre Movie :Mystery & Suspense,Action & Adventure
Mpaa Rating : R Actors :Al Pacino,Robert De Niro,Val Kilmer,Jon Voight,Tom Sizemore,Diane Venora,Amy Brenneman,Ashley Judd,Mykelti Williamson,Ted Levine,Wes Studi,Danny Trejo,Tom Noonan,Dennis Haysbert,William Fichtner,Hank Azaria,Kevin Gage,Natalie Portman,Tone-Loc,Bud Cort
Visitor Ranting & Critics For Heat
User Ranting Movie Heat : 3.9User Percentage For Heat : 92 %
User Count Like for Heat : 186,649
All Critics Ranting For Heat : 7.7
All Critics Count For Heat : 59
All Critics Percentage For Heat : 86 %
If You Like this movie you can streaming Heat movie without downloading HERE
Trailer For Heat
Review For Movie Heat
Heat occupies an exalted position among the countless contemporary crime films.Todd McCarthy-Variety
Robert De Niro's last great role before he devoted himself to self-parody.
Peter Travers-Rolling Stone
This is simply the best American crime movie -- and indeed, one of the finest movies, period -- in over a decade.
Geoff Andrew-Time Out
As Heat progresses, its sensational looks pale beside storytelling weaknesses that expose the more soulless aspects of this cat-and-mouse crime tale.
Janet Maslin-New York Times
Michael Mann and a superlative cast have taken a classic heist movie rife with familiar genre elements and turned it into a sleek, accomplished piece of work, meticulously controlled and completely involving.
Kenneth Turan-Los Angeles Times
Heat generates lots of energy but gives off little light.
Sean Means-Film.com
The conversation in Heat is one of the most perfectly executed and eloquently intertextual moments in the history of American Cinema.
Blake Howard-2UE That Movie Show
A stealth epic, framing an urban jungle and making its own kind of contemporary history by pairing acting giants Robert DeNiro and Al Pacino in what has arguably become the preminent cops-and-robbers movie. [Blu-ray]
Peter Canavese-Groucho Reviews
Quite rightly, this confirmed Mann as one of Hollywood's smartest, most stylish and emotionally articulate directors.
-Film4
I have always wondered if Pacino and De Niro flipped a coin before the movie began shooting to see which of them would play which part?
John J. Puccio-Movie Metropolis
A slow-moving, overburdened, well-meant and at times quite entertaining slog.
Tim Brayton-Antagony & Ecstasy
The director's signature sleek and romantic aesthetic is reason enough to take a seat for this operatic three-hour marathon.
Radheyan Simonpillai-AskMen.com
Fascinante por se concentrar em dois homens que, obcecados por suas profissões, acabam dependendo um do outro justamente por não saberem fazer outra coisa.
Pablo Villaca-Cinema em Cena
I admire Mann's emotional commitment and his sense of style, but it also grates on me.
Bob Westal-Bullz-Eye.com
With De Niro and Pacino in excellent form, Mann's Heat ignites the screen.
Chuck O'Leary-Fantastica Daily
De Niro delivers a frightening vision of frosty criminal efficiency.
Nick Schager-Lessons of Darkness
It is a remarkably powerful, entertaining and invigorating piece of cinema that hits on more levels than seemingly possible.
Derek Smith-Cinematic Reflections
Heat Heat has an intoxicating, seductive look and feel, and if viewers can check their brains at the door, it succeeds on a surface level.
Jeffrey M. Anderson-Combustible Celluloid
...one of the greatest crime films of all time.
Chris Barsanti-Film Threat
Echoes the tradition of American individualists.
Jeremiah Kipp-Slant Magazine
An insightful dramatic look at the relationship between cops, criminals, and the women in their lives.
Michael Dequina-TheMovieReport.com
Riveting cops-and-robbers tale.
Dennis Schwartz-Ozus' World Movie Reviews
The action, just like in any great film, is subservient to plot and characters.
Dragan Antulov-rec.arts.movies.reviews
Movie Images Heat
Movie Overview For Heat
Obsessive master thief McCauley leads a crack crew on various military-style heists across L.A. while equally obsessive detective Hanna tracks him. Each man recognizes and respects the other's ability and dedication, even as they express the willingness to kill each other, if necessary.TagLine Heat A Los Angeles crime saga.
This stunning, post-apocalyptic action thriller from director George Miller stars Mel Gibson as Max Rockatansky, a policeman in the near future who is tired of his job. Since the apocalypse, the lengthy, desolate stretches of highway in the Australian outback have become bloodstained battlegrounds. Max has seen too many innocents and fellow officers murdered by the bomb's savage offspring, bestial marauding bikers for whom killing, rape, and looting is a way of life. He just wants to retire and spend time with his wife and son but lets his boss talk him into taking a peaceful vacation and he starts to reconsider. Then his world is shattered as a gang led by the evil Toecutter (Hugh Keays-Byrne) murders his family in retaliation for the death of one of its members. Dead inside, Max straps on his helmet and climbs into a souped-up V8 racing machine to seek his bloody revenge. Despite an obviously low budget and a plot reminiscent of many spaghetti Westerns, Mad Max is tremendously exciting, thanks to some of the most spectacular road stunts ever put on film. Cinematographer David Eggby and stunt coordinator Grant Page did some of their best work under Miller's direction and crafted a gritty, gripping thrill ride which spawned two sequels, numerous imitations, and made Mel Gibson an international star. One sequence, in which a man is chained to a car and must cut off a limb before the machine explodes is one of the most tense scenes of the decade. The American version dubbed all the voices -- including Gibson's -- in a particularly cartoonish manner. Trivia buffs should note that Max's car is a 1973 Ford Falcon GT Coupe with a 300 bhp 351C V8 engine, customized with the front end of a Ford Fairmont and other modifications. ~ Robert Firsching, Rovi
This hysterical drive-in favorite pits a community of swamp-dwelling yokels against the silliest-looking monsters since the shag-rug aliens of The Creeping Terror. Despite the strange sucker-marks found on a dead trapper's blood-drained body, and a man's story of seeing his unfaithful wife and her lover dragged into the swamp by the creatures, the police refuse to acknowledge that something freaky is going on. Only after more trappers disappear does the local game warden decide to take action, which he does with a vengeance. When the leech lair is discovered in a cave beneath the swamp, explosives are employed to blow them to little rubber bits. It's hard to be too critical of this early film from prolific TV-director Bernard L. Kowalski (Night of the Blood Beast), since executive producer Roger Corman allocated a budget for this production that would hardly cover the catering bill on a major studio film -- even in 1960! Look carefully to spot the scuba tanks beneath the leech costumes. ~ Cavett Binion, Rovi
"What are you rebelling against?" asks someone. "What've you got?" responds surly, leather-jacketed motorcycle punk Marlon Brando. It comes as a disappointment to discover that The Wild One, the quintessential Brando "rebel" film, is at base a traditional "misunderstood youth vs. the nasty system" effort, with a particularly banal finale. Based on a true incident, the film begins with Brando and his motorcyle gang invading a small town after having been kicked out of a cycle competition (but not before stealing the second-prize trophy). Brando's bikers raise hell all day, but some of the townsfolk are shown to be little better than the invaders. Sheriff Robert Keith, whose daughter (Murphy) has gone fond of Brando, finally responds to the bikers' destructiveness by jailing Lee Marvin, leader of a rival gang. When Marvin's buddies goes on a rampage, Brando exhibits his essential decency by safely escorting the sheriff's daughter out of the melee. The townsfolk misunderstand, assuming that Brando intends to rape the girl. He is attacked by a vigilante mob led by town hothead Ray Teal, who uses this excuse to exercise his own sadistic tendencies. Keith breaks up the mob and suggests that Brando leave; he tries to do so, but another angry response from the mob causes him to inadvertently strike and kill a pedestrian. At the subsequent hearing, the girl rushes to Brando's defense. Though grateful for the unexpected kindness, Brando is constitutionally unable to say "thank you" and rides out of town alone. The image of Marlon Brando astride his Triumph has entered movie folklore, just like King Kong on the Empire State Building or the billow-skirted Marilyn Monroe standing over a subway grating; it's too bad that The Wild One isn't a more worthy vehicle for Brando's talents. ~ Hal Erickson, Rovi
In the very near future, most of the world has succumbed to the virus of the living dead. After crashing off the coast of Africa, Lt. Brian Murphy battles for survival across the terrible terrain of Africa in search of a way to get back to his beloved family in the USA. Saved by local military man Daniel Dembele, who is also searching for his son, both men join forces, all the while battling against the ever-present threat of the living dead. -- (C) Official Site R
A deliciously nasty black comedy, Heathers is set at a cliquish high school in Ohio. The most exclusive of those cliques is the Heathers, comprised of the prettiest and most popular girls in town. The group's leader is the manipulative Kim Walker, who orchestrates the humiliation of anyone who fails to meet her standards. Eventually, Heathers member Winona Ryder begins to exhibit a conscience; together with her hardcase boyfriend Christian Slater, Ryder plots to avenge all the unfortunate victims of the group. Before long, Heather (Kim Walker) ends up dead along with Kurt and Ram, with poignant suicide notes posted near their bodies. ~ Hal Erickson, Rovi
It started as a 1960 Roger Corman horror comedy, filmed in two days; it then inspired a lavish 1982 Broadway musical with music and lyrics by Alan Menken and Howard Ashman. Finally in 1986, Little Shop of Horrors (1960) graduated into a multimillion-dollar, all-star film musical. Rick Moranis plays nebbishy Seymour Krelborn, who works in a rundown flower shop on Skid Row. While his boss (Vincent Gardenia) bemoans the lack of business, Seymour seeks a way of bringing the shop -- and himself -- fame and fortune. He purchases a strange plant from an even stranger oriental street vendor (Vincent Wong), naming the plant after his girlfriend Audrey (Ellen Greene, one of the few carry-overs from the Broadway version). Gradually, Seymour learns to his horror that "Audrey II" (given the voice of R&B performer Levi Stubbs) craves blood and flesh. With each of Audrey II's "FEEED MEEE"s, Seymour must scare up human food to satisfy the plant's appetite. One such victim is dentist Steve Martin, a leather-jacketed Elvis type (the dentist's ultra-masochistic patient played by Jack Nicholson in the 1960 original is here impersonated by Bill Murray). The lighthearted tone of the film darkens as Audrey II grows in monstrosity, but the unhappy ending of the Broadway version is avoided herein. ~ Hal Erickson, Rovi
