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An hour-long feature from Japanese director Shinyu Tsukamoto, Tetsuo (also known as Tetsuo: The Iron Man) tells a horrific, cyberpunk-influenced science fiction tale about the intersection of man and post-industrial technology. The central character is a Japanese salary man, an average office worker who is transformed by a brief encounter with a metals fetishist, a man who has purposefully implanted pieces of scrap metal in his body. The salary man soon begins sprouting pieces of metal from various parts of his body, a change which is accompanied by increasingly nightmarish visions and bizarre, metal-filled sexual fantasies. As the man evolves into a strange hybrid of man and machine, he also develops a telepathic connection with another of his kind: the metal fetishist, who has been undergoing a similar conversion, and may indeed be the cause of the salary man's transformation. The two engage in a violent, destructive battle throughout the streets of Tokyo, accompanied by an appropriately industrial soundtrack. Shot on a small budget in 16 millimeter black-and-white, Tsukamoto reprised many of the images and plot elements of Tetsuo in a higher-budgeted sequel, Tetsuo II: Body Hammer. ~ Judd Blaise, Rovi
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Movie Title : Tetsuo: The Ironman
Release Date : Jan 1, 1989 Wide
Genre Movie :Horror,Art House & International,Special Interest,Cult Movies
Mpaa Rating : R
Actors :Tomorowo Taguchi,Kei Fujiwara,Shin'ya Tsukamoto,Naomasa Musaka,Renji Ishibashi,Nobu Kanaoka

Visitor Ranting & Critics For Tetsuo: The Ironman

User Ranting Movie Tetsuo: The Ironman : 3.8
User Percentage For Tetsuo: The Ironman : 76 %
User Count Like for Tetsuo: The Ironman : 9,759
All Critics Ranting For Tetsuo: The Ironman : 7.2
All Critics Count For Tetsuo: The Ironman : 13
All Critics Percentage For Tetsuo: The Ironman : 77 %

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Trailer For Tetsuo: The Ironman

Review For Movie Tetsuo: The Ironman

combines early Lynch's monochrome industrial landscapes, Cronenberg's body horror, Ballard's obsession with crashes and wounds, and Svankmajer's frenetic stop-motion oddity (and staccato editing), but it nonetheless remains a singular monstrosity
Anton Bitel-Eye for Film

Sustained with satirical expressionism for indelible clamminess
Fernando F. Croce-CinePassion

Unquestionably it's a feat of imagination and technique, but an hour of it is more than enough.
Rob Gonsalves-eFilmCritic.com

Exercício surrealista histérico e obviamente ludita que, apesar de substituir as idéias pelo corte rápido, cria uma atmosfera de pesadelo sufocante.
Pablo Villaca-Cinema em Cena

Filled with wild stop motion effects and brilliant conceptual horrors, this is a horror film for the modern technological world.
Sean Axmaker-St@tic Multimedia

As a freak show..., Tetsuo certainly deserves its reputation. It contains memorable sequences of sickening imagination, and unique takes on tired sci-fi/ action ideas.
Bill Gibron-DVDTalk.com

One of the first movies to give me a sense that there were no boundaries.
Luke Y. Thompson-LYTRules.com

Packs a raw punch, delivering a fevered and disturbing nightmare vision.
Brian Thomas-Now Playing Magazine

surreally disjointed
Keith Breese-Filmcritic.com

Tetsuo and Fetishist's transformation into Iron Man becomes a response to the machinization of the individual in a systematically regimented Japan.
Ed Gonzalez-Slant Magazine

Movie Images Tetsuo: The Ironman

Movie Overview For Tetsuo: The Ironman

Tetsuo: The Iron Man is a 1989 Japanese cyberpunk film by cult-film director Shinya Tsukamoto produced by Japan Home Video. This, his third film, is an extremely graphic but also strikingly-filmed fantasy shot in the same low-budget, underground-production style as his first two films. Revolving around the transformation of people into grotesque hybrids of flesh and metal, Tetsuo is above all an overwhelming audiovisual experience, set to a brain-pounding score by Chu Ishikawa and complemented by suitably exaggerated sound effects.


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